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Ella May Wiggins
Like many of the mill workers, Ella May had come from the mountains
in search of a better life. Her husband, John Wiggins left her in the mid 1920ís
and she lived alone, raising her five surviving children by herself.
Her other four children had died
from various ailments brought about by their living conditions, including one from
pellagra,
the most rampant disease in the mill villages. Ella May earned about nine dollars
a week as a spinner at the nearby American Mill in Bessemer City, a mill known for
its low wages. She and her family lived outside the mill village in Stumptown,
an African American section Bessemer City. Ella May walked out when the
American Mill struck and never worked again (Salmond, 52.) Ella May Wiggins
was shot by a stray bullet from a mob of anti-union demonstrators on September 14,
1929. She was riding in a truck of passengers going to a union rally in South
Gastonia, a rally that was halted by members of the American Legion . The same
day Ella May was shot, the management at the Loray ran the first in a series of five
advertisements touting the Loray as "The Mill with a Purpose" and "the
mill where the boss is your friend." The Gaston Gazette which, three
months earlier had called the shooting of Chief Adderholt the "most outrageous
and damnable crime in the history of the State," reported that the "shooting
of the Bessemer City woman was deplorable," while pointing out that the fatality
was the result of the mob's car colliding with the striker's truck and that, "If
the cars had not collided, there would probably have been no shooting."
Ella May's death was an accident, the newspaper argued, but the slaying of Chief
Adderholt was an outrage. Ella May Wiggins was most remembered by her fellow
strikers as a balladeer; "Mill Mother's Lament" is her most famous song,
and fellow balladeer Daisy McDonald sang the first verse of it at Ella May's funeral.
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Mill Mother's Lament We leave our home in the morning And when we draw our money And on that very evening
Now it grieves the heart of a mother Now listen to the workers |